Saturday, October 17, 2020

Toothsome Kitty

"Maggie is expecting to get a gold tooth when she has her dental work done," Mr. Ginley opined this week.

"Tell her not to hold her breath," I replied.  "Just having the three bad teeth taken out is going to cost an arm and a leg."

Mr. Ginley thought about this. "Aren't they going to put in a bridge or false teeth or anything?"

"Nope. She'll have to use her remaining teeth or gum her food from here on out," I stated.

As it turned out, our beloved Maggie, like a number of her feline compatriots, has bad teeth. We suspected as much from her ever-worsening breath, and most recently, the sensitivity around her mouth.

The vet confirmed this was the case when I took her in. We were encouraged to purchase the pet insurance, as we could then pay over time and would be covered in case any other defects in workmanship were to appear.

Fortunately, Maggie/Magwell/Maggie Lou(is) was only mildly traumatized by her visit to the vet. In this age of Covid, I had to wait in the parking lot while they escorted her inside, did the exam, then brought her back at the end.

It also meant I was able to sit in the comfort and convenience of my vehicle as they listed all of the charges for her impending treatment.

Yes, we both agreed, it's a good thing she's so darned cute. How can you look at that face and tell her to suck it up because things are tight right now?

And yes, of course she snuggles up under my chin, and my heart melts and, well, anyone with a furry (or feathered) family member knows exactly what I'm talking about.

So, no, there aren't any gold teeth in Maggie's future. No New York brim.

No matter how many times Mr. Ginley sings the ZZ Top song, alas, Maggie will be neither "bad" or "nationwide."

Saturday, October 10, 2020

Electric Boots, a Mohair Suit

©2002 Mercury Music Limited
I was sailing down the freeway in my automobile last week, singing to Elton John's classic, Benny and the Jets.

Well, okay, maybe I didn't get all the words just right. Perhaps it's me, but I've never been able to make out all of Sir Elton's words. Or most of them. In fact, in the spirit of true confession, mostly I was singing the refrain and mumbling through the rest. 

For once, it wasn't because I was intentionally mangling the lyrics, like someone else I won't mention. Or will (Mr. Ginley). I do know it's "electric BOOTS."

Being of the sort who believes in advanced education, I went to my friend the Google to discover, after all these years, the actual lyrics to the song.

"Well, butter my butt and call me a biscuit," I said to the cat. "I was nowhere near."

Oh well. I consoled myself with the fact no one was stuck in the car with me and my off-key renderings of the timeless tune.

And it still felt good to do a duet with Sir Elton.

Even if I am no Kiki Dee.

Saturday, October 3, 2020

Pioneer Spirit, TV Style

I'm sure it comes as no surprise to any frequent visitor to this page that I possess a fascination with women pioneers.

I'm not talking about those who hoisted up their skirts and headed west on wagons and horseback with children strapped to their hip, although these women are admirable, indeed.

But rather pioneers of new industries, those who saw an opportunity and jumped in with both feet.

I've gushed over Alice Guy-Blaché, for example, the premier French female pioneer filmmaker.  
And Hedy Lamarr, who invented the technology that would be used in cell phones.

This week, our country lost another pioneer, at the impressive age of 106. 

Television was a fledgling industry in 1953 when Lillian Brown volunteered to produce an educational program in Arlington, Virginia. She also hosted a children's educational series, which was filmed in the same studio as Face the Nation. 

The producers of the popular political news program noticed that guests on Brown's show wore make-up -- even the men. They approached her to ask if she'd be willing to touch up the guests on their show. For which they would pay her $19. 

She agreed. Her first subject was Sam Rayburn, whose bald spot was a positive beacon under the stage lighting, as Brown saw by looking at the monitors. Lillian added a touch of powder that made all the difference. 

While she was not trained as a cosmetologist, Brown discovered she had a knack for make-up artistry, and continued to work for Face the Nation, even as, in 1956, she became the director of radio and television for George Washington University, where she created one of the first television courses for credit.  

Dwight Eisenhower was the first president to enjoy the benefits of Brown's make-up tools. John Kennedy sat in her chair, first as a senator. Kennedy was himself a pioneer in grasping the importance of how to present oneself on the small screen. He wanted to understand every detail of the process, from camera lenses to lighting to makeup.

Brown also assisted first ladies in their TV appearances, perhaps most famously for Jacqueline Kennedy for her White House tour in 1962.

Not limiting herself to make-up, Brown was also quick to jump in to correct wardrobe faux pas. A screamy tie, for example. Or an unsightly bit of leg when the gentleman crossed his legs. She kept such accessories as ties and knee-high black socks in her bag of tricks.

In all, Ms. Brown served nine presidents. Including Richard Nixon. One of her biggest challenges was preparing him for his resignation speech. She found Nixon a sobbing mess when she arrived. Nothing she said could console him. Any makeup she applied was washed away.

Then she had a brainstorm, recalling a story about a Christmas tree, the President's dog and getting locked in a bathroom by a secret service agent. That did the trick, Nixon laughed, and minutes before the broadcast, Brown was able to complete her task.

Brown once told The Times, “Unlike high-fashion makeup artists who want to make a person look as glamorous as possible, my goal is to make people look exactly like themselves.”

A native of Huntsville, Ohio, there was nothing to indicate where Lillian Brown's life would take her. She earned a two-year teaching degree and worked at a rural school for several years before moving to Cleveland, where she worked at a local department store. She also joined a women's orchestra, playing the violin.

In later life, she continued to teach in a variety of venues, and at the age of 75 published the first of many books. 

When she retired at age 95 from Georgetown University, where she taught a public-speaking course, the school begged her to stay.

A life well-lived by a woman who saw a need and filled it. 

And kept learning all her life. 

Saturday, September 26, 2020

Fortitude

One day, my mom's brother, Chuck, called his siblings aside and told them to only take one helping of dinner.

"Dad and Mother won't eat until we're done," he explained. 

It was the Great Depression. My grandfather dug ditches and baked and decorated cakes to make ends meet. 

There were many days when the ends didn't come together.

My grandmother kept a ration book she once showed me. She kept meticulous notes about whose turn it was to get a new pair of shoes, for example. I marveled at her sense of fair play, particularly given that of the six children she was raising at the time, only one was hers. (She was my grandfather's second wife. Two more mouths to feed would arrive during the 1930s.) 

The two of them managed to persevere, and then thrive in the following decades, until my grandfather was felled by a stroke in the 1960s. And my grandmother, with her usual take-it-all-in-stride attitude, looked after him for the next nine years without complaint.

In this, the year of the rat (the Chinese certainly called that one), I try to remind myself that my forebears survived much worse than I have thus far. 

And I try not to boo-hoo about finding a permanent job. Or wearing a mask. Or having to curtail seeing loved ones in person.

I have discovered something about myself.

I'm a big wuss.

I wonder if, given the same circumstances as my grandparents, would I have been up to the challenge?

I hope I never have to find out.

Saturday, September 19, 2020

From My Window

2020 can't be over soon enough for me.


In spite of my "one day at a time" philosophy, I'm finding it difficult to stay the course.

I would say the death of Ruth Bader Ginsburg was the last straw, but something tells me that, with 3 1/2 months left in this bizarre year, we have a long way to go. 

So, this morning, after I skimmed the newspaper, read the funnies and did my best with the jumble puzzles, I turned my attention to the window to my backyard.

There I found about two dozen grackles, a couple of red winged blackbirds and a few brave sparrows, all vying for the premium birdseed I'd put out.

Alas, my puny feeder was not made for a descending herd, and while the grackles did their best, they were having trouble gaining purchase. So, being the birdie hostess with the mostest, I went out and threw a bunch of seed on the ground.

This did the trick, and soon they all tucked into the banquet in the grass and chowed away, leaving room at the table above for the more petite sparrows.

Inevitably, a squirrel came along to see what he was missing. In a serpentine move, he tried to nonchalantly sashay his way across the lawn toward the feeder. Alas, he couldn't compete with the grackles, so he backed off, prudently deciding he didn't want to risk getting his eyes pecked out.

Maggie and I watched until the show ended.

I know this isn't much of a post today, but I needed to remind myself of the persistence of life, nature's ennui with human concerns and that, in spite of the minefield that is 2020, it's a beautiful day outside my window and I need to go out and enjoy it.

I hope you can, too.


Saturday, September 12, 2020

So Ap-Peel-Ing

When they talk about the lack of strong women role models in the 1960s, I can't help but think about Emma Peel.

Public domain image

Diana Rigg as Emma Peel quickly became the star of The Avengers, a British TV spy thriller. Emma, a sleek, sexy but very feisty female character could take care of herself, thank you very much. Alongside Patrick McNee as John Steed (the very definition of dapper), she fought crime as an intelligence agent. The show was suspenseful in an understated way. Not big on car crashes and macho displays of force. Rather, psychological and smart.

A fictional and unlikely character, perhaps, but one of my favorites.

Alas, Dame Diana Rigg passed away this week at the age of 82. But my, what a run she had. 

Leaving Mrs. Peel behind, Rigg took on a role in the Bond Film, On Her Majesty's Service, enjoying the distinction of being the only Bond girl who marries the commitment-shy action figure. Alas, she had to be killed off in the final frame to make way for the next Bond girl. 

A classically trained actress, Diana Rigg returned to the stage many times throughout her career, in a slew of theater productions both here and across the pond.

Rigg hosted the PBS Mystery series for many years, although she professed she wasn't a big fan of the genre herself. And from 1998-2000, she starred in The Mrs. Bradley Mysteries

Her swan song was the role of Lady Olenna Tyrell on Game of Thrones, which earned her four Emmy nominations.

Talk about a life well-lived.

Still, I will always and forever look back most fondly to her Emma Peel character. And that fabulous cat suit. 

How I wish I could have EVER carried off that look.

Saturday, September 5, 2020

Getting Graphic

 "Here's one about the Beatles," Mr. Ginley intoned.

©1985 by Matt Groening

We were standing in the Rocky River library as he perused the latest graphic novel titles. It's a genre he's enjoyed over the course of the last year or two, observing that the breadth of subjects has expanded significantly in recent times.

"It used to be that comic books were outlawed in the library," Mr. said. Apparently, the librarian would point to the door if you brought one the offending publications into that hallowed space.

Today, graphic novels, the offshoot of comic books, cover a variety of topics and, as in the case of the Beatles book, are not confined to works of fiction. There are bios of Bowie, Elvis and a whole host of other celebrities. Science is now graphically explained. And some authors/illustrators have found a home for their memoirs. All this is in addition to traditional comic panels, mainstream and subversive.

Back in the day, I was a fan of Matt Groening's Binky and Bongo. And Lynda Barry. This was years after my childhood interest in Archie and Betty. 

More recently, I haven't paid much attention to the graphic novel section. But Mr. has been working on me, reading passages from the books he's checked out. So, for the first time, I selected three items from the stacks, and I'm looking forward to digging in.

Two are memoirs, one about NYC, penned by Roz Chast (of The New Yorker), the other, by Tyler Feder, is a tribute to the author's mom. The third is a collection of more classic comics, created by Reza Ferezmand, who has a wicked sense of humor. (Just my style.)

Time will tell if my newfound interest will last. Or if the genre will continue to expand or will die out. Given our society and its obsession with instant visual gratification, I suspect they are here to stay. 

Somewhere, I can hear the age-old argument as to the value of graphic novels to young minds.

"At least the kids are reading," it was argued.

True enough.